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What do we mean when we say that a novel's conclusion "feels right"? How did feeling, form, and the sense of right and wrong get mixed up, during the nineteenth century, in the experience of reading a novel? Good Form argues that Victorian readers associated the feeling of narrative form--of being pulled forward to a satisfying conclusion--with inner moral experience. Reclaiming the work of a generation of Victorian "intuitionist" philosophers who insisted that true morality consisted in being able to feel or intuit the morally good, Jesse Rosenthal shows that when Victorians discussed the moral dimensions of reading novels, they were also subtly discussing the genre's formal properties. For most, Victorian moralizing is one of the period's least attractive and interesting qualities. But "Good Form" argues that the moral interpretation of novel experience was essential in the development of the novel form--and that this moral approach is still a fundamental, if unrecognized, part of how we understand novels.

Ethics in literature. --- English literature --- English fiction --- English fiction. --- English literature. --- History and criticism. --- 1800-1899

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"Mary Shelley's Mathilda, the story of one woman's existential struggle after learning of her father's desire for her, has been identified as Shelley's most important work after Frankenstein. The two texts share many characteristics, besides authorship and contemporaneity: both concern parental abandonment; both contribute to the Gothic form through themes of incest, insanity, suicidality, monstrosity, and isolation; and both are epistolary. However, Mathilda was not published until 1959, 140 years after Shelley wrote it--in part because Shelley's father, William Godwin, suppressed it. This new edition encourages a critical reconsideration of a novella that has been critically stereotyped as biographical, and explores the importance of the novella to the Romantic debate about suicide. Historical appendices trace the connections between Mathilda and other works by Shelley and by her mother, Mary Wollstonecraft, while also providing biographical documents, contemporary works on the theme of incest, and documents on suicide in the Romantic era."--

English fiction --- English fiction --- Fathers and daughters --- Fathers and daughters. --- Incest --- Incest. --- Women authors. --- Women authors.

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English fiction --- Dystopian fiction, English --- History and criticism.

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This book examines the multifarious ways in which the emergence of a modern culture of portability prompts a radical, if often problematic, departure from Victorian architectural conceptions of fiction towards more movable understandings of form and character.

English fiction --- Modernism (Literature) --- Crepuscolarismo --- Literary movements --- History and criticism --- History and criticism.

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The Republic of Ireland left the British Commonwealth in 1949. It was traditionally overlooked by developing trends of Commonwealth literary studies from the 1960s, which tended to examine the cultural production of countries still under Commonwealth rule. From the late 1980s onwards, however, scholars of Irish literature and indeed across postcolonial studies have examined Ireland's unique and comparative literary, historical, cultural and geographical features in relation to the contexts of broader postcolonial debates. To date, nonetheless, there has yet to be a dedicated comparative study of how the specific genre of the Irish novel developed throughout the twentieth century as a means of giving imaginative expression to particular decolonizing processes in Ireland as it disengaged from the dominant discourses of British colonial rule.Ireland's history is clearly different from that of the former colonies of the British West Indies. Richard McGuire takes this point into account, and in Parallel Visions, Confluent Worlds he investigates how extensively the Irish novel, particularly from the 1920s, expresses forms and themes recognized by many scholars and critics to be key postcolonial concerns in West Indian novels of the same period. The British West Indies serves as a strong suitable comparative case for examination, since it has such an established wealth of study in relation to its postcolonial dimensions. This book compares five pairings of Irish and Caribbean texts that explore issues such as evolving representations of "native" peoples, late-colonial anxiety, the subversive power of women in a patriarchal-imperialist society, migration and the experience of growing up amid anti-colonial violence.

Caribbean fiction (English) --- English fiction --- Postcolonialism in literature --- History and criticism --- Irish authors